comic strip about onions
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In 2006, theOnionbegan printing political cartoons by an artist known as Stan Kelly. The satirical weekly had long parodied the other staples of a traditional American newspaper—screaming topical headlines, man-on-the-street interviews, op-eds by old cranks and young dumbbells, articles about local individuals of note—but it lacked a heavy-handed editorial cartoon. This struck the cartoonist Ward Sutton as odd. “It’s such a basic component of a typical newspaper,” he said to me recently. Sutton, the creator of the politically minded strip “Sutton Impact,” in theVillage Voiceand elsewhere, had become friendly with theOnion’sco-founder and then editor, Scott Dikkers, after Dikkers wrote him a fan letter. Sutton eventually asked Dikkers about the lack of a political cartoon in theOnion, and Dikkers said that he’d always wanted one but didn’t know how to parody a cartoon. “So I put on my thinking cap,” Sutton said.
For the past ten years, the fictional Stan Kelly, who emerged from that thinking cap, has provided theOnionwith elaborate puns, tearful Statues of Liberty, bags of money with dollar signs on them, pearly gates, handguns, Hitlers, burning flags, and plenty of outrage. He dresses his characters in clothes that say things like “P.C. KILLJOYS,” “SCHEMING TROLLOPS,” and “INNOCENT RED-BLOODED MEN.” His first book, “Kelly: The Cartoonist America Turns To,” was published in August, collecting a decade’s worth of cartoons. (In the Kelly universe, it’s the fifth decade of his work for theOnion—a detail that reminded me happily of “Our Dumb Century,” theOnion’sbrilliant riff on the headlines of the nineteen-hundreds.) The Kelly collection credits the more reputable Sutton as its editor.
Sutton’s central idea with the Kelly cartoons was to parody the idea of the political cartoonist. “Part of what I really like about Kelly is the way he reacts to things,” Sutton said. “His reactions are always wrong. Scott Dikkers had really good advice: ‘Let’s try to not make this a right-left thing, as much as possible.’ ” In the strips, being wrong can come from right-wing thinking or from out of left field. “This past week, for example, Kelly is down on pro-lifers,” Sutton said. “But if you read the cartoon, it’s clear the reason he’s against them is because having a child ruins life.” The targets of his outrage are wrong, too: the agricultural area at a state fair, for example. As Kelly sees it, Sutton said, “These dirty people with their grubby animals are spoiling the good time at the fair.”
Kelly draws in a hackneyed style, often involving cross-hatching. (He’s the proud winner of the 1981 Thorsberg Bronze Quill award, whose seal appears on the book’s jacket.) “He’s found a stylized way to draw people and he doesn’t really waver from that,” Sutton said. “Little bulbous shoulders and elbow joints, weird feet. The eyes are a C-shape, not full eyes, with a dot in the middle. People who are supposed to be bad always have bags under their eyes, and the people who are good don’t.” Bad people wear black, and often have pointy fangs; good people wear white. Grim Reapers abound, grinning and wearing cloaks that say “UNFAMILIAR FOOD,” “SICKO CULT PRACTICES,” or “CHATTY LOCALS.” “And the kind of Everyman who appears has a kind of Reagan haircut, because to Kelly, Reagan epitomizes the true, good American,” Sutton said. Kelly likes adjectives and New YorkPost-worthy puns. And he likes to draw himself, a balding scowler with a pointy nose, into the corner, often making an aggrieved remark. “Kelly likes to have the last word in everything, including his own cartoons,” Sutton said.
Some people are Kelly superfans. “Somebody in grad school wrote their thesis on Kelly,” Sutton said. (Sutton read the thesis, and liked it: “It’s extremely gratifying that somebody gets what I’m trying to do.”) One couple had a Kelly-themed wedding. “Everybody had a label,” Sutton said.
If you haven't yet discovered Jake Likes Onions then let us be the first to introduce you to these hilarious comics. The artist has over 113k followers on Instagram, and it's easy to see why when you see his absurdist sense of humor. Touching on topics such as work, love, death, and existentialism, and adding his own quirky twist to well-known proverbs and popular movies, the artist has a knack for beginning his stories with a misleading sense of innocence before taking them to places you really didn't expect. Some are light, some are dark, but all of them are hilarious.
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