comic strip about protocols of covid 19
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A simplified, child friendly comic strip with key information on the coronavirus and how one can protect themselves from catching the disease, in a very simple way that is easily understood by children.
In a comic strip published by the Centers for Disease Control and Prevention (CDC), of the U.S., two mask-wearing female friends engage in a tête-à -tête. One of them has recently got herself vaccinated against COVID-19. This makes the other curious about the various aspects of vaccination, ranging from side effects to the need, if any, of wearing a mask after vaccination. The answers dispel misconceptions about vaccination, encouraging everyone to get the COVID-19 jab. The unvaccinated friend decides to inoculate herself — the target audience of the comic strip is expected to reach the same decision. This is just one among a burgeoning number of visual narratives, posters and comics spreading awareness about COVID-19 and vaccination. The comics format, with its visual appeal, has a special function: it educates while being entertaining.
Indeed, comics have always been at the forefront of projects that disseminate information and allay fears during pandemics. During the Spanish flu epidemic of 1918, for instance, comic characters like Bud Fisher’sMutt and Jeff,Charles A Voight’sPetey Dinkand Edwina Dumm’sCap Stubbs and Tippieeducated the public about social distancing and other
precautions. During the 1980s, the comics anthology volumesStrip AIDSandStrip AIDS U.S.A.offered readers information about the ongoing HIV/AIDS epidemic. Dan Collins’Sarszilla, a comic where Godzilla meets SARS, and Gary Varvel’s cartoons about H1N1 are other recent examples.
According to the World Health Organization, vaccination “uses your body’s natural defences to build resistance to specific infections and makes your immune system stronger.” But facts haven’t stopped people from being sceptical about inoculation — vaccine hesitancy is fuelled largely by conspiracy theories (such as vaccines causing autism in children) that have always existed side by side with vaccines. Comics have been conducting a running battle against misinformation by making fun of misdirected fears.
For instance,The Cow-Pockor The Wonderful Effects of the New Inoculation!(1802) by James Gillray parodies the apprehensions of people who believed that the small-pox vaccine would turn them into grotesque man-animal hybrids. The drawing, showing cows bounding out of noses and horns sprouting from foreheads, resonated even today when we heard, for instance, Brazil’s President Bolsonaro issuing alerts about the possible “side effects” of the COVID-19 vaccine during its initial roll-out: he had stated that his government won’t take responsibility if the vaccine turned people into “crocodiles” or made women sprout beards.
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