comic strip about respect
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Regardless of who opens the cover and dives into the fantasy-laden pages, a comic book is considered to be “pleasure reading.” This may be a true assessment, but it doesn’t mean that readers pursue the pleasure myopically, as escapists who would dodge responsibility. In fact, some comics actually foster selfless learning, in a way that encourages students to embrace cultural diversity.
Beyond stimulating daydreams of grandeur in the reader, some comics also encourage good character. For example, below are seven comics that teach students important lessons about cultural diversity, particularly how to maintain it within a culture comprised of subcultures. In our diverse society that strives to better , the knowledge that they receive serves them well. These comic books may even inspire you to create your own comic.
Since 1938, the world’s most famous comic book hero has helped world citizens solve their problems. In the comic book that bears his name, Superman operates out of New York City, thinly veiled as Metropolis, where citizens of all stripes receive his superhuman assistance against various threats.
According to DC Comics, “The Man of Steel is the ultimate symbol of truth, justice, and hope. He is the world’s first Superhero and a guiding light to all.” When a person needs help combating evil or misfortune, and Superman is around to provide it, they receive the aid they need in short order, regardless of their age, gender, or race.
The mutant vs human struggle in X-Men provides us with a strong allegory for racism. People fear the mutants and their extraordinary powers, so they treat them as dangerous and “other.” However, the X-Men team teaches us that, if we can overcome our differences (perhaps even treat those unique differences as a strength) and work together, we can accomplish extraordinary things.
Today is the last day of the gradual release of our first ever comic strip, ‘Journeys Through Mental Health’. We started publishing it on Human Rights Day, back in December, and have slowly put out its panels over the holiday period. We issued it this way because we know it can be a difficult period for many people and we wanted to provide signposts to resources that might be useful at this time of year.
The project has been a long time in development – we were given funding for it back in the summer of 2020, in the early days of the pandemic, by the Lankelly Chase Foundation. With this new comic format, we wanted to explore human rights themes which lent themselves to hearing directly from people with lived experience – a key focus of our strategy as an organisation. This would also enable us to focus on telling human rights stories using illustration, rather than cameras, because we knew we were not going to be able to get out to film as readily under Covid lockdown conditions.
I had already worked with graphic novelists and artists on other projects (with Jules Schleeman and Jon Sack), but the funding from the Lankelly Chase Foundation gave me the opportunity to act upon an idea that I had long been developing, right from when I arrived at the organisation – comic strips. I have also long been an admirer of the organisation PositiveNegatives, who “produce literary comics, animations and podcasts about contemporary social and humanitarian issues”. They adapt personal testimonies alongside ethnographic research into art and illustration.
Comic strips have often been thought of as being for children or teenagers, rather than for adults. In the UK, there were comics like the Beano or Bunty, and, from the US, strips like 2000AD or Marvel. Superheroes are often what we think of, when we think about comics. I had grown up reading Charlie Brown and Calvin and Hobbes, both of which definitely touched upon adult narratives and themes, but it was when I was introduced to comics like Art Spiegelman’s Maus (which explored Spiegelman interviewing his father about his experiences as a survivor of the Holocaust) and Harvey Pekar’s ‘American Splendor’ (which looks at everyday people’s day-to-day experiences) that I was made aware of the kinds of storytelling opportunities that this form of art can offer.
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