comic strip about ww1
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This primary resource explores some of the significant events of the First World War and what life was like for soldiers, women and children. Discover how WWI changed society in Britain at the time with this light-hearted comic strip. How did women’s roles change during the First World War? What was ‘conscription’? What job did pigeons carry out during the War?
The teaching resource can be used in study group tasks for a simple overview of World War I. It can be used as a printed handout for each pupil to read themselves, or for display on the interactive whiteboard, as part of a whole class reading exercise.
Activity:Ask the children to choose one of the areas of World War I discussed in the comic (e.g. women at work, Boy Scouts and Girl Guides during the War, animals used for specific jobs during the War, etc.) and create their own comic strip about this topic. They could use the resource as a starting point for their own research. Pupils could use our First World War primary resource and War Horses: WWI primary resource to help them.
N.B. The following information for mapping the resource documents to the school curriculum is specifically tailored to the English National Curriculum and Scottish Curriculum for Excellence. We are currently working to bring specifically tailored curriculum resource links for our other territories; including South Africa, Australia and New Zealand. If you have any queries about our upcoming curriculum resource links, please email: schools@ngkids.co.uk
Charley's War was the first British comic strip to properly tackle WW1, according to writer and comic book historian Tim Pilcher. He said: "This country has a great history in producing World War Two comics such as Battle, Warlord and Commando. No-one had really done the First World War before writer Pat Mills and artist Joe Colquhoun did Charley's War." Battle, a British comic published in the 1970s and 80s, carried the anti-war strip.
Moose Harris has digitised surviving art from Charley's War. Harris said: "I am a massive fan of Joe's art. The level of detail and historical accuracy in his work was way beyond his contemporaries." Colquhoun and Mill's work on Charley's War will also be exhibited in Swanage, Lancaster, London, the Tank Museum in Bovington, Haarlem in the Netherlands and Meaux in France later this year .
Mills, who wrote the script for Charley's War, continues to write WW1 stories. With artist David Hitchcock, he is working on a new graphic novel called Brothers In Arms. Mills said: "Brothers In Arms is a work in progress. It features soldiers from all sides and is about reconciliation."
Mills and Hitchcock have also collaborated on an adaptation of war poet Issac Rosenberg's Dead Man's Dump. Bristol-born Rosenberg was killed in 1918 during a German offensive while he was serving with the 11th Battalion, the King's Own Royal Lancaster Regiment. Mills and Hitchcock's work on Dead Man's Dump is part of the new, published anthology, Above the Dreamless Dead. Mills has also written the introduction to another graphic anthology, To End All Wars. Comics historian Pilcher said: "This year has seen an explosion in World War One art and writing. Other work includes war cartoonist Joe Sacco's The Great War, a 24ft-long frieze."
Another new work, Ghosts of Passchendaele, is the third book of a graphic novel trilogy by Ivan Petrus. It features battles involving Belgian, British and French soldiers. Artwork from the series is shown above. Petrus said: "My first graphic novel was about Nieuport, my second about Furnes and Pervyse, so the battle of Ypres in 1917 at Passchendaele was the next logic step. It was an iconic battle for the British and Anzacs troops. Plus, 1917 was the wettest year imaginable. Passchendaele is all about courage and fighting spirit - in deep mud."
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